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"Walt & El Grupo" Overview
For ten weeks in 1941, Walt Disney, his wife Lilly, and sixteen colleagues from his studio visited nations in Latin America to gather story material for a series of films with South American themes. The feature documentary film Walt & El Grupo uses this framing device to explore inter-American relations, provide a rare glimpse into the artists who were part of the magic of Disney’s “golden age” and give an unprecedented look at the 39 year-old Walt Disney during one of the most challenging times of his entire life.
"Walt & El Grupo" Specifications
In 1941, Disney was asked to make a goodwill tour of South America by Nelson Rockefeller, Coordinator of Inter-American Affairs: the government hoped the popularity of the Disney characters could counter pro-Axis sentiment there. Walt was reluctant. He was not a particularly outgoing man, and he was facing what he would later describe as his worst time: A third of his employees had walked out in a bitterly fought strike, the War had cut off his revenues from Europe, and he owed the Bank of America .4 million. The government agreed to underwrite the tour expenses, so Disney left Los Angeles in August, 1941, with an entourage of 16 artists dubbed "El Grupo" for Brazil, Argentina, Bolivia, and Chile. Director Theodore Thomas, whose father, the celebrated animator Frank Thomas, was a member of the group has drawn on letters, photographs, new footage of places the artists visited, and interviews with people who welcomed Disney and their descendants for the documentary Walt & El Grupo. Thomas uncovered a treasure trove of 16mm footage from the tour. It shows not the genial, avuncular Walt who hosted Disneyland and The Wonderful World of Color, but the energetic artist of 39 who had built a small studio into the most celebrated in the world and transformed the art of animation. When Walt poses in local costumes or clowns for the camera, the viewer can almost hear his mind whirring as he takes in everything around him. At 106 minutes, Walt & El Grupo feels a little long and it rambles in a few places, but it presents an intriguing vision of a largely forgotten chapter in the history of animation and inter-American relations. (Rated PG, suitable for ages 10 and older: tobacco and alcohol use) --Charles Solomon
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